Difference between revisions of "Morthagi lore"

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The Clockwork Dead
The Clockwork Undead


=Terminology=
=Art of the Mortificers=
The '''Morthagi''' (a singular and plural noun) is what we call the large variety of constructs, and even, dare we say, beings, that combine once-living flesh and magic with mechanical components and clockwork,in order to achieve a semblance of life, and in some cases an all-too-real agency and cunning.
'''Morthagi''' (mor-THAW-ghee: singular and plural noun) is an old term, as old as the practice that first created them. Morthagi can be any of a wide variety of constructed entities that combine once-living tissue with mechanical components, mystical elements, and clockwork, in order to achieve a profane, though admittedly impressive, semblance of life. The most remarkable of them show true intuition, analytical capabilities, and situational cunning. Indeed, the limits of the Morthagi's potential for thought are beyond knowing.


'''Mortificial''' is a term for a mixture of dead tissue and clockwork, bound together with magic, to serve some purpose, such as a prosthetic limb. It would not be incorrect to say that the Morthagi are mortificial beings.
'''Mortificer''' is the term for those who invented and built the Morthagi, in antiquity. You read their stories, and if you're lucky stumble upon some of their original texts, scrawled in archaic scripts. Most academics are helplessly taken with their achievements, and we certainly see the value of Mortificial components and mechanisms in such fields as medicine and masonry. The art of Mortificing is sadly lost to our world, and though many have sought to revive it, all have failed. The children of the Mortificers, their constructs, 'live' on, self-propagating, preserving the legacy of their creators.


'''Mortificer''' is the term for one who invents and builds Morthagi. They tend to be a blend of tinkerer and mystic; both crafts are necessary, and mortificers come to the craft with a variety of skill and motivations. Some are history's greatest villains, and some (more rarely) are heroes.
=Ecology=
They may be destroyed by willful violence or exceptional accident, of course, but otherwise Mortificial devices and the Morthagi in particular tend to remain operational indefinitely. They appear almost universally capable of interfacing with each other, performing mutual repair and maintenance to sustain each other over infinite generations of people. To most scholars, this suggests there's an elegance to the schematics of the Mortificers that we are simply not comprehending, a simple repetitive principle that allows them all to exist, iterate, and interlock. Myself, I see their ability to form compatible links and make complex and holistic repairs and attribute it to their already proven ability to study and solve problems, owed itself to the lost magics interwoven with their joints and gears from the beginning. Indeed, I see not the consistent reliable markings of manufacture, but truly the inspired and creative asymmetry of art.


=Ecology=
That isn't to say that the Morthagi are not essentially tools, or that there is no pattern to their form and function. Many an explorer has written of finding machines in deep tombs and forgotten caves. Often they're discovered employed in some mundanity, working at whatever it is they were directed to do, all those ages ago. Such constructs are often reported to have unique designs, and some are suspected to be exaggerated or wholly fabricated by those giving the account... but certain designs seem to be timeless, repeated by every practitioner of the artform. And few of them are defenseless.
Mortificial devices in general, and the Morthagi in particular, tend to remain operational indefinitely or until destroyed by violence, whichever comes first. Thus, it's not unheard-of to find the loathsome constructs in ancient tombs, or sealed caves, untouched by time for eons. Such constructs often have unique designs, but again certain designs seem to be timeless, repeated by every practitioner of the artform.


Some of the simpler Morthagi must be powered by an external mystical or mechanical source, and can fall dormant in the absence of a power source. Others though have been crafted to harvest their own power from their surroundings, sometimes by consuming raw materials such as "the flesh of the living" or some other such magically rich substance. Still others seem to gather energy in a more complicated (and probably even worse) way that we don't completely understand. Regardless, it is never safe to assume that a given Morthagi is dormant. Almost all of the common designs include a storage mechanism for energy, and can reactivate when certain conditions are met.
Some of the simpler Morthagi must be powered by an external mystical or mechanical means, and can fall dormant in the absence of such a power source. Others, though, must have been designed to harvest their own power supply from their surroundings, giving outstanding credence to the notion that these Morthagi were intended to outlast the civilizations and genius minds that birthed them. What they harvest and use appears opportunistically selected, ranging from naturally occurring resources and oil deposits, to living matter refined for whatever essential fuel such matter can produce. Regardless, it is never safe to assume that a given Morthagi is dormant. Almost all of the common designs include a storage mechanism for energy, and can reactivate when certain conditions are met.


If a Morthagi is encountered in a dormant state, it is sometimes possible to remove its power source without destroying the body. This is an extremely dangerous operation obviously, but we have some accounts from the literature of skilled mortificers who have safely disabled dangerous constructs in the field.
If a Morthagi is encountered in a dormant state, it is sometimes possible to remove its power source without destroying the body. This is an extremely dangerous operation obviously, but we have some accounts from the literature of skilled mortificers who have safely disabled dangerous constructs in the field.

Revision as of 11:30, 11 November 2019

The Clockwork Undead

Art of the Mortificers

Morthagi (mor-THAW-ghee: singular and plural noun) is an old term, as old as the practice that first created them. Morthagi can be any of a wide variety of constructed entities that combine once-living tissue with mechanical components, mystical elements, and clockwork, in order to achieve a profane, though admittedly impressive, semblance of life. The most remarkable of them show true intuition, analytical capabilities, and situational cunning. Indeed, the limits of the Morthagi's potential for thought are beyond knowing.

Mortificer is the term for those who invented and built the Morthagi, in antiquity. You read their stories, and if you're lucky stumble upon some of their original texts, scrawled in archaic scripts. Most academics are helplessly taken with their achievements, and we certainly see the value of Mortificial components and mechanisms in such fields as medicine and masonry. The art of Mortificing is sadly lost to our world, and though many have sought to revive it, all have failed. The children of the Mortificers, their constructs, 'live' on, self-propagating, preserving the legacy of their creators.

Ecology

They may be destroyed by willful violence or exceptional accident, of course, but otherwise Mortificial devices and the Morthagi in particular tend to remain operational indefinitely. They appear almost universally capable of interfacing with each other, performing mutual repair and maintenance to sustain each other over infinite generations of people. To most scholars, this suggests there's an elegance to the schematics of the Mortificers that we are simply not comprehending, a simple repetitive principle that allows them all to exist, iterate, and interlock. Myself, I see their ability to form compatible links and make complex and holistic repairs and attribute it to their already proven ability to study and solve problems, owed itself to the lost magics interwoven with their joints and gears from the beginning. Indeed, I see not the consistent reliable markings of manufacture, but truly the inspired and creative asymmetry of art.

That isn't to say that the Morthagi are not essentially tools, or that there is no pattern to their form and function. Many an explorer has written of finding machines in deep tombs and forgotten caves. Often they're discovered employed in some mundanity, working at whatever it is they were directed to do, all those ages ago. Such constructs are often reported to have unique designs, and some are suspected to be exaggerated or wholly fabricated by those giving the account... but certain designs seem to be timeless, repeated by every practitioner of the artform. And few of them are defenseless.

Some of the simpler Morthagi must be powered by an external mystical or mechanical means, and can fall dormant in the absence of such a power source. Others, though, must have been designed to harvest their own power supply from their surroundings, giving outstanding credence to the notion that these Morthagi were intended to outlast the civilizations and genius minds that birthed them. What they harvest and use appears opportunistically selected, ranging from naturally occurring resources and oil deposits, to living matter refined for whatever essential fuel such matter can produce. Regardless, it is never safe to assume that a given Morthagi is dormant. Almost all of the common designs include a storage mechanism for energy, and can reactivate when certain conditions are met.

If a Morthagi is encountered in a dormant state, it is sometimes possible to remove its power source without destroying the body. This is an extremely dangerous operation obviously, but we have some accounts from the literature of skilled mortificers who have safely disabled dangerous constructs in the field.